This is a collection of films by Belgian hyperrealist director Chantal Akerman, including "Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles," a feminist masterpiece exposing the life of a mother who whose daily regimen includes prostitution in order to make ends meet. Akerman provides commentary on the viewer's sense of objectivity by locking down the camera, allowing the scene to play out in front of the audience without acknowledging that the camera, by being present, and therefore, participant within the space, may have an effect upon what the subjects will allow us to see.