A recommendation by Three

Three's recommendation

First to recommend

Portishead's live shows in New York City were extremely trilling, the music was and show felt like a vintage spy film. After the show I got a Portishead hoodie, which immediately became my most prized possession, unfortunately I was so high from the show I left the hoodie in the taxi. Well at least there was a great recoding of the Roseland show.

Discription:
PNYC captures Bristol, England's Portishead live, a situation which presents a particular challenge to a band so closely associated with studio experimentation. Portishead's sound, however, is built around the otherworldly vocals of Beth Gibbons, who immediately dispels any notion that such a performance needs to have anything canned about it. The spontaneity is helped along by a stunning palette of guitars, which combine with the the band's imaginative turntable work to create a thrilling, bombastic and unpredictable live experience.
PNYC opens up with the swell of a string section, and quickly dissolves into the menacing, orchestrated strains of "Humming", over which Gibbons gives a stirring vocal performance, every bit as spontaneous as the rhythmic scratching which weaves in and out of the song's organ-based backdrop. "Over" features a particularly seductive voice-guitar intro, which mutates into an epic, gargantuan bass-synth groove. Guitar textures are, in fact, a prominent feature throughout PNYC, notably on the rocked-up, tremolo-soaked six-string thatdominates the live version of the band's signature tune, "Sour Times".

Updated Feb 11, 2009

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